{"id":609,"date":"2018-09-10T06:04:55","date_gmt":"2018-09-10T06:04:55","guid":{"rendered":"http:\/\/ethnology.asm.md\/?p=609"},"modified":"2018-09-10T07:01:15","modified_gmt":"2018-09-10T07:01:15","slug":"volume-xxiii-volumul-xxiii-%d1%82%d0%be%d0%bc-xxiii-2018","status":"publish","type":"post","link":"https:\/\/ethnology.ich.md\/ro\/arhive\/609","title":{"rendered":"Volume XXIII \/ Volumul XXIII \/ \u0422\u043e\u043c XXIII \/ 2018"},"content":{"rendered":"
\n

Volume XXIII \/ Volumul XXIII \/ \u0422\u043e\u043c XXIII \/ 2018<\/a><\/span><\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
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CUPRINS \/ CONTENT \/ \u0421\u041e\u0414\u0415\u0420\u0416\u0410\u041d\u0418\u0415<\/strong><\/p>\n<\/td>\n<\/tr>\n

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ETNOLOGIE \/ ETHNOLOGY \/ \u042d\u0422\u041d\u041e\u041b\u041e\u0413\u0418\u042f<\/strong><\/p>\n<\/td>\n<\/tr>\n

Gherghina BODA<\/td>\nCostumul popular al p\u0103durencelor \u00eentre vechi \u0219i nou<\/a><\/td>\n5<\/td>\n<\/tr>\n
\u0412\u0430\u0441\u0438\u043b\u0438\u0439 \u0421\u0410\u041a\u041e\u0412\u0418\u0427, \u0415\u043b\u0438\u0437\u0430\u0432\u0435\u0442\u0430 \u041a\u0412\u0418\u041b\u0418\u041d\u041a\u041e\u0412\u0410<\/td>\n\u041e\u0442\u0440\u0430\u0436\u0435\u043d\u0438\u0435 \u0447\u0435\u0440\u0442 \u043d\u0430\u0446\u0438\u043e\u043d\u0430\u043b\u044c\u043d\u043e\u0433\u043e \u0445\u0430\u0440\u0430\u043a\u0442\u0435\u0440\u0430 \u0432 \u044d\u0442\u043d\u0438\u0447\u0435\u0441\u043a\u0438\u0445 \u0430\u0432\u0442\u043e\u0441\u0442\u0435\u0440\u0435\u043e\u0442\u0438\u043f\u0430\u0445 \u0431\u0435\u043b\u043e\u0440\u0443\u0441\u043e\u0432 \u041c\u043e\u043b\u0434\u043e\u0432\u044b<\/a><\/td>\n11<\/td>\n<\/tr>\n
Dumitru-C\u0103t\u0103lin ROGOJANU<\/td>\nMuzeul \u0219i democratizarea culturii. O perspectiv\u0103 de ansamblu<\/a><\/td>\n20<\/td>\n<\/tr>\n
Dorina ONICA<\/td>\nConsidera\u021bii generale privind jonc\u021biunea grupuri etnoculturale \u2013 identitate \u2013 peisaje<\/a><\/td>\n25<\/td>\n<\/tr>\n
Valentina URSU<\/td>\nPatrimoniul cultural material \u0219i imaterial \u00een cercet\u0103rile \u015ftiin\u0163ifice studen\u021be\u0219ti<\/a><\/td>\n31<\/td>\n<\/tr>\n
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CERCET\u0102RI ETNOSOCIALE, ETNOPSIHOLOGICE \u015eI ETNOISTORICE<\/strong><\/p>\n<\/td>\n<\/tr>\n

Ivan DUMUNICA<\/td>\nUn manuscris necunoscut despre istoria comunei Ba\u0219calia, jude\u021bul Tighina<\/a><\/td>\n40<\/td>\n<\/tr>\n
\u0412\u0438\u043a\u0442\u043e\u0440 \u0426\u0412\u0418\u0420\u041a\u0423\u041d<\/td>\n\u0423\u0442\u0440\u0430\u0447\u0435\u043d\u043d\u044b\u0435 \u0441\u0442\u0440\u0430\u043d\u0438\u0446\u044b \u0438\u0437 \u0434\u043d\u0435\u0432\u043d\u0438\u043a\u0430 \u0418\u0432\u0430\u043d\u0430 \u0418\u043b\u044c\u0438\u043d\u0441\u043a\u043e\u0433\u043e<\/a><\/td>\n48<\/td>\n<\/tr>\n
Olena YASYNETSKA<\/td>\nThe peculiarities of genealogy and marriage conditions of the king of Poland Boles\u0142aw the Generous (the Brave) and Kyivan Rus\u2019 princess Vysheslava (c. 1067)<\/a><\/td>\n56<\/td>\n<\/tr>\n
Alexandru FURTUN\u0102<\/td>\nConsidera\u021bii cu privire la originea \u0219i aria de r\u0103sp\u00e2ndire a unor propriet\u0103\u021bi laice din \u021binutul Ia\u0219i (I)<\/a><\/td>\n67<\/td>\n<\/tr>\n
Alexei ROMANCHUK<\/td>\nBulaestian idiom \u201c\u043c\u043e\u043a\u0440\u0435\u0439 \u044f\u043a \u0449\u0443\u0440\u201d: to the reconstruction of meaning<\/a><\/td>\n77<\/td>\n<\/tr>\n
\u042e\u043b\u0438\u044f \u0415\u0420\u041c\u0410\u041a<\/td>\n\u042d\u0442\u043d\u043e\u043f\u0435\u0434\u0430\u0433\u043e\u0433\u0438\u0447\u0435\u0441\u043a\u0438\u0435 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u0438 \u0436\u0435\u043d\u0441\u043a\u043e\u0433\u043e \u0435\u0432\u0440\u0435\u0439\u0441\u043a\u043e\u0433\u043e \u0432\u043e\u0441\u043f\u0438\u0442\u0430\u043d\u0438\u044f \u0432 \u043a\u043e\u043d\u0446\u0435 XIX \u2013 \u043d\u0430\u0447\u0430\u043b\u0435 \u0425\u0425 \u0432\u0435\u043a\u0430<\/a><\/td>\n83<\/td>\n<\/tr>\n
STUDIU ISTORIOGRAFIC<\/strong><\/td>\n<\/tr>\n
Adrian DOLGHI, Alina FELEA<\/td>\nReflectarea originii \u0219i apartenen\u021bei etnice a popula\u021biei majoritare din Basarabia \u00een sursele Imperiului Rus (sec. XIX \u2013 \u00eenc. sec. XX)<\/a><\/td>\n92<\/td>\n<\/tr>\n
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PAGINA T\u00c2N\u0102RULUI CERCET\u0102TOR<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Marina MIRON<\/p>\n<\/td>\n

Despre evolu\u021bia tipologiei locuin\u021belor tradi\u021bionale \u00een coloniile bulgare din Bugeac (tradi\u021bii \u0219i inova\u021bii)<\/a><\/td>\n106<\/td>\n<\/tr>\n
Ecaterina PIHUROV<\/td>\nIstoriografia rom\u00e2neasc\u0103 interbelic\u0103 a rela\u0163iilor interetnice<\/a><\/td>\n\n

115<\/p>\n<\/td>\n<\/tr>\n

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VIA\u0162A \u015eTIIN\u0162IFIC\u0102<\/strong><\/p>\n<\/td>\n<\/tr>\n

Mihail STANCEV, Natalia KRASIKO<\/td>\nSimpozionul \u0219tiin\u021bific interna\u021bional \u201eNume bulgare \u00een istoria Ucrainei \u0219i Moldovei\u201d (Harkov, 26 ianuarie 2018)<\/a><\/td>\n123<\/td>\n<\/tr>\n
COMITETUL \u0218TIIN\u021aIFIC<\/td>\nConferin\u021ba \u0218tiin\u021bific\u0103 Interna\u021bional\u0103 PATRIMONIUL CULTURAL: CERCETARE, VALORIFICARE, PROMOVARE. Edi\u021bia a X-a:\u00a0Prin \u0219tiin\u021b\u0103 spre cunoa\u0219terea patrimoniului na\u021bional<\/a><\/td>\n124<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
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IN MEMORIAM<\/strong><\/p>\n<\/td>\n<\/tr>\n

COLEGIUL DE REDAC\u021aIE<\/td>\nConstantin \u0218i\u0219can (1933\u20132018)<\/a><\/td>\n127<\/td>\n<\/tr>\n
\u0412\u0438\u0442\u0430\u043b\u0438\u0439 \u0421\u042b\u0420\u0424<\/td>\n\u0418\u043e\u043d \u0414\u0440\u043e\u043d (1948\u20132003)<\/a><\/td>\n128<\/td>\n<\/tr>\n
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RECENZII<\/strong><\/p>\n<\/td>\n<\/tr>\n

Lidia PRISAC<\/td>\nO nou\u0103 abordare privind coloniile bulgarilor din Basarabia (1774\u20131856)<\/a><\/td>\n129<\/td>\n<\/tr>\n
Mariana \u021a\u0102RANU<\/td>\nElogiu fenomenului ornamental. Ludmila MOISEI. Ornamentul: fenomen artistico-estetic (Viziuni ontologice \u0219i estetice asupra ornamenticii \u021bes\u0103turilor tradi\u021bionale). Chi\u0219in\u0103u: Pontos, 2017, 271 p.<\/a><\/td>\n131<\/td>\n<\/tr>\n
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JUBILEE<\/strong><\/p>\n<\/td>\n<\/tr>\n

Angela OL\u0102RESCU<\/td>\nNicolai \u0421ervencov \u2013 om al \u0219tiin\u021bei<\/a><\/td>\n133<\/td>\n<\/tr>\n
\u0412\u0438\u0442\u0430\u043b\u0438\u0439 \u0421\u042b\u0420\u0424<\/td>\n\u041f\u0435\u0442\u0440 \u0410\u0444\u0430\u043d\u0430\u0441\u044c\u0435\u0432\u0438\u0447 \u0427\u0435\u0431\u043e\u0442\u0430\u0440\u044c\u00a0(\u041a \u0448\u0435\u0441\u0442\u0438\u0434\u0435\u0441\u044f\u0442\u0438\u043b\u0435\u0442\u0438\u044e \u0441\u043e \u0434\u043d\u044f \u0440\u043e\u0436\u0434\u0435\u043d\u0438\u044f)<\/a><\/td>\n135<\/td>\n<\/tr>\n
Data on the editorial board \/ \u0421\u0432\u0435\u0434\u0435\u043d\u0438\u044f \u043e \u0440\u0435\u0434\u043a\u043e\u043b\u043b\u0435\u0433\u0438\u0438<\/a><\/td>\n138<\/td>\n<\/tr>\n
Termene \u0219i condi\u021bii de publicare a materialelor \u00een Revista de Etnologie \u0219i Culturologie<\/a><\/td>\n139<\/td>\n<\/tr>\n
Terms and conditions of publication of materials in the Journal of Ethnology and Culturology<\/a><\/td>\n140<\/td>\n<\/tr>\n
\u0421\u0440\u043e\u043a\u0438 \u0438 \u0443\u0441\u043b\u043e\u0432\u0438\u044f \u043f\u0443\u0431\u043b\u0438\u043a\u0430\u0446\u0438\u0438 \u043c\u0430\u0442\u0435\u0440\u0438\u0430\u043b\u043e\u0432 \u0432 \u0416\u0443\u0440\u043d\u0430\u043b\u0435 \u044d\u0442\u043d\u043e\u043b\u043e\u0433\u0438\u0438 \u0438 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043e\u043b\u043e\u0433\u0438\u0438<\/a><\/td>\n141<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Volume XXIII \/ Volumul XXIII \/ \u0422\u043e\u043c XXIII \/ 2018 CUPRINS \/ CONTENT \/ \u0421\u041e\u0414\u0415\u0420\u0416\u0410\u041d\u0418\u0415 ETNOLOGIE \/ ETHNOLOGY \/ \u042d\u0422\u041d\u041e\u041b\u041e\u0413\u0418\u042f Gherghina BODA Costumul popular al p\u0103durencelor \u00eentre vechi \u0219i nou 5 \u0412\u0430\u0441\u0438\u043b\u0438\u0439 \u0421\u0410\u041a\u041e\u0412\u0418\u0427, \u0415\u043b\u0438\u0437\u0430\u0432\u0435\u0442\u0430 \u041a\u0412\u0418\u041b\u0418\u041d\u041a\u041e\u0412\u0410 \u041e\u0442\u0440\u0430\u0436\u0435\u043d\u0438\u0435 \u0447\u0435\u0440\u0442 \u043d\u0430\u0446\u0438\u043e\u043d\u0430\u043b\u044c\u043d\u043e\u0433\u043e \u0445\u0430\u0440\u0430\u043a\u0442\u0435\u0440\u0430 \u0432 \u044d\u0442\u043d\u0438\u0447\u0435\u0441\u043a\u0438\u0445 \u0430\u0432\u0442\u043e\u0441\u0442\u0435\u0440\u0435\u043e\u0442\u0438\u043f\u0430\u0445 \u0431\u0435\u043b\u043e\u0440\u0443\u0441\u043e\u0432 \u041c\u043e\u043b\u0434\u043e\u0432\u044b 11 Dumitru-C\u0103t\u0103lin ROGOJANU Muzeul \u0219i democratizarea culturii. O perspectiv\u0103 de ansamblu …<\/p>\n","protected":false},"author":1,"featured_media":671,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/ethnology.ich.md\/ro\/wp-json\/wp\/v2\/posts\/609"}],"collection":[{"href":"https:\/\/ethnology.ich.md\/ro\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ethnology.ich.md\/ro\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ethnology.ich.md\/ro\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ethnology.ich.md\/ro\/wp-json\/wp\/v2\/comments?post=609"}],"version-history":[{"count":8,"href":"https:\/\/ethnology.ich.md\/ro\/wp-json\/wp\/v2\/posts\/609\/revisions"}],"predecessor-version":[{"id":675,"href":"https:\/\/ethnology.ich.md\/ro\/wp-json\/wp\/v2\/posts\/609\/revisions\/675"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ethnology.ich.md\/ro\/wp-json\/wp\/v2\/media\/671"}],"wp:attachment":[{"href":"https:\/\/ethnology.ich.md\/ro\/wp-json\/wp\/v2\/media?parent=609"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ethnology.ich.md\/ro\/wp-json\/wp\/v2\/categories?post=609"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ethnology.ich.md\/ro\/wp-json\/wp\/v2\/tags?post=609"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}