{"id":395,"date":"2016-12-26T11:58:53","date_gmt":"2016-12-26T11:58:53","guid":{"rendered":"http:\/\/ethnology.asm.md\/?p=395"},"modified":"2017-10-24T07:10:47","modified_gmt":"2017-10-24T07:10:47","slug":"revista-de-etnologie-si-culturologie-volumul-xix-2016","status":"publish","type":"post","link":"https:\/\/ethnology.ich.md\/ru\/arhive\/395","title":{"rendered":"Volume XIX \/ Volumul XIX \/ \u0422\u043e\u043c XIX \/ 2016"},"content":{"rendered":"
\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
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CUPRINS \/ CONTENT \/ \u0421\u041e\u0414\u0415\u0420\u0416\u0410\u041d\u0418\u0415<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

\u0422\u0430\u0442\u044c\u044f\u043d\u0430 \u0417\u0410\u0419\u041a\u041e\u0412\u0421\u041a\u0410\u042f<\/p>\n<\/td>\n

\u0421\u0435\u043a\u0442\u043e\u0440 \u00ab\u042d\u0442\u043d\u043e\u043b\u043e\u0433\u0438\u044f \u0440\u0443\u0441\u0441\u043a\u0438\u0445\u00bb: 25 \u043b\u0435\u0442 \u043d\u0430\u0443\u0447\u043d\u043e\u0433\u043e \u043f\u043e\u0438\u0441\u043a\u0430<\/a><\/td>\n\n

5<\/p>\n<\/td>\n<\/tr>\n

\n

ETNOLOGIE<\/strong> \/ ETHNOLOGY \/ \u042d\u0422\u041d\u041e\u041b\u041e\u0413\u0418\u042f<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Tatiana ZAICOVSCHI<\/p>\n<\/td>\n

Reflectarea fitosimbolisticii \u00een con\u0219tiin\u021ba folcloric\u0103 a purt\u0103torilor de folclor rus din Republica Moldova<\/a><\/td>\n11<\/td>\n<\/tr>\n
\u0414\u043c\u0438\u0442\u0440\u0438\u0439 \u041a\u041e\u0420\u0415\u041d\u0415\u0412<\/td>\n\u041b\u0435\u0442\u043d\u0438\u043a \u0432 \u0436\u0435\u043d\u0441\u043a\u043e\u043c \u043a\u043e\u0441\u0442\u044e\u043c\u0435 \u0440\u0443\u0441\u0441\u043a\u043e\u0433\u043e \u0441\u0440\u0435\u0434\u043d\u0435\u0432\u0435\u043a\u043e\u0432\u044c\u044f: \u043d\u043e\u0432\u044b\u0439 \u0432\u0437\u0433\u043b\u044f\u0434 \u043d\u0430 \u043f\u0440\u043e\u0431\u043b\u0435\u043c\u0443 (\u041e\u043f\u044b\u0442 \u0440\u0435\u043a\u043e\u043d\u0441\u0442\u0440\u0443\u043a\u0446\u0438\u0438 \u043a\u0430\u043a \u043e\u0431\u043e\u0441\u043d\u043e\u0432\u0430\u043d\u0438\u0435 \u0433\u0438\u043f\u043e\u0442\u0435\u0437\u044b)<\/a><\/td>\n17<\/td>\n<\/tr>\n
\u0412\u044f\u0447\u0435\u0441\u043b\u0430\u0432 \u0421\u0422\u0415\u041f\u0410\u041d\u041e\u0412<\/td>\n\u041e\u0447\u0435\u0440\u043a\u0438 \u043f\u043e\u0445\u043e\u0440\u043e\u043d\u043d\u043e-\u043f\u043e\u043c\u0438\u043d\u0430\u043b\u044c\u043d\u044b\u0445 \u043f\u0440\u0430\u043a\u0442\u0438\u043a \u0440\u0443\u0441\u0441\u043a\u043e\u0433\u043e \u043d\u0430\u0441\u0435\u043b\u0435\u043d\u0438\u044f \u0420\u0435\u0441\u043f\u0443\u0431\u043b\u0438\u043a\u0438 \u041c\u043e\u043b\u0434\u043e\u0432\u044b<\/a><\/td>\n22<\/td>\n<\/tr>\n
Natalia IURCENCO<\/td>\nPrimele locuin\u021be clasiciste ale Chi\u0219in\u0103ului din prima treime a secolului al XIX-lea: aspectul etnologic<\/a><\/td>\n33<\/td>\n<\/tr>\n
\u0418\u0440\u0438\u043d\u0430 \u0421\u0423\u0411\u0411\u041e\u0422\u0418\u041d\u0410, \u0416\u0434\u0430\u043d\u0430 \u0421\u0423\u0411\u0411\u041e\u0422\u0418\u041d\u0410<\/td>\n\u041a\u043e\u043d\u0446\u0435\u043f\u0442 \u00ab\u0437\u0432\u0435\u0437\u0434\u0430\u00bb \u0432 \u043f\u043e\u044d\u0437\u0438\u0438 \u0421\u0442\u0435\u043f\u0430\u043d\u0430 \u041a\u0443\u0440\u043e\u0433\u043b\u043e<\/a><\/td>\n\n

38<\/p>\n<\/td>\n<\/tr>\n

\n

CE<\/strong>R<\/strong>C<\/strong>ET\u0102RI ETNOSOCIALE, ETNOPSIHOLOGICE \u015eI ETNOISTORICE ETHNOSOCIAL, ETHNOPSYCHOLOGICAL AND ETHNIC STUDIES<\/strong><\/p>\n

\u042d\u0422\u041d\u041e\u0421\u041e\u0426\u0418\u0410\u041b\u042c\u041d\u042b\u0415,<\/strong> \u042d\u0422\u041d\u041e\u041f\u0421\u0418\u0425\u041e\u041b\u041e\u0413\u0418\u0427\u0415\u0421\u041a\u0418\u0415<\/strong> \u0418 \u041c\u0415\u0416\u042d\u0422\u041d\u0418\u0427\u0415\u0421\u041a\u0418\u0415 \u0418\u0421\u0421\u041b\u0415\u0414\u041e\u0412\u0410\u041d\u0418\u042f<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Victor \u0162VIRCUN<\/p>\n<\/td>\n

Integrarea emigran\u0163ilor din \u0162ara Moldovei \u00een societatea rus\u0103 \u00een secolul al XVIII-lea<\/a><\/td>\n47<\/td>\n<\/tr>\n
\u0410\u043b\u0435\u043a\u0441\u0430\u043d\u0434\u0440 \u041f\u041e\u041d\u041e\u041c\u0410\u0420\u0415\u0412<\/td>\n\u0421\u0432\u0435\u0434\u0435\u043d\u0438\u044f \u043e \u0446\u0435\u0440\u043a\u0432\u044f\u0445 \u0414\u043d\u0435\u0441\u0442\u0440\u043e\u0432\u0441\u043a\u043e-\u0411\u0443\u0433\u0441\u043a\u043e\u0433\u043e \u043c\u0435\u0436\u0434\u0443\u0440\u0435\u0447\u044c\u044f \u043a\u043e\u043d\u0446\u0430 \u0425V\u0406\u0406\u0406 \u0432.<\/a><\/td>\n53<\/td>\n<\/tr>\n
\u0421\u0432\u0435\u0442\u043b\u0430\u043d\u0430 \u0412\u0410\u0421\u0418\u041b\u042c\u0415\u0412\u0410<\/td>\n\u0420\u0435\u0433\u0438\u0441\u0442\u0440\u0430\u0446\u0438\u044f \u0441\u0442\u0430\u0440\u043e\u043e\u0431\u0440\u044f\u0434\u0447\u0435\u0441\u043a\u0438\u0445 \u043e\u0431\u0449\u0438\u043d \u0417\u0430\u0431\u0430\u0439\u043a\u0430\u043b\u044c\u044f (20\u201330-\u0435 \u0433\u0433. \u0425\u0425 \u0432.)<\/a><\/td>\n59<\/td>\n<\/tr>\n
Constantin \u015eI\u015eCAN<\/td>\nTransforma\u021biunile personalit\u0103\u021bii \u00een circumstan\u021bele de continu\u0103 schimbare a lumii (\u00een baza prozei ruse de la \u00eenceputul secolului al XXI-lea)<\/a><\/td>\n63<\/td>\n<\/tr>\n
\n

\u0412\u0430\u0441\u0438\u043b\u0438\u0439 \u0421\u0410\u041a\u041e\u0412\u0418\u0427, \u0415\u043b\u0438\u0437\u0430\u0432\u0435\u0442\u0430 \u041a\u0412\u0418\u041b\u0418\u041d\u041a\u041e\u0412\u0410<\/p>\n<\/td>\n

\u0417\u043d\u0430\u0447\u0438\u043c\u043e\u0441\u0442\u044c \u044f\u0437\u044b\u043a\u043e\u0432\u043e\u0433\u043e \u043a\u043e\u043c\u043f\u043e\u043d\u0435\u043d\u0442\u0430 \u0432 \u0441\u0442\u0440\u0443\u043a\u0442\u0443\u0440\u0435 \u044d\u0442\u043d\u0438\u0447\u0435\u0441\u043a\u043e\u0433\u043e \u0441\u0430\u043c\u043e\u0441\u043e\u0437\u043d\u0430\u043d\u0438\u044f \u0431\u0435\u043b\u043e\u0440\u0443\u0441\u043e\u0432 \u041c\u043e\u043b\u0434\u043e\u0432\u044b<\/a><\/td>\n\n

69<\/p>\n<\/td>\n<\/tr>\n

\n

PERSONALIT\u0102\u0162I \/ PERSONALITIES \/ \u041f\u0415\u0420\u0421\u041e\u041d\u0410\u041b\u0418\u0418<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Olga GARUSOVA<\/p>\n<\/td>\n

Calea spre emigrare a lui Piotr Potiomkin Anul petrecut la Chi\u0219in\u0103u (1920\u20131921)<\/a><\/td>\n77<\/td>\n<\/tr>\n
Irina IJBOLDINA<\/td>\nUnele aspecte \u201eculturii cotidianului\u201d societ\u0103\u021bii basarabene din anii \u02bc20 ai secolului al XX-lea \u00een schi\u021bele lui Leonid Dobronravov (Donici)<\/a><\/td>\n82<\/td>\n<\/tr>\n
\u0415\u043b\u0435\u043d\u0430 \u041c\u0410\u0420\u0423\u0428\u0418\u0410\u041a\u041e\u0412\u0410,<\/p>\n

\u0412\u0435\u0441\u0435\u043b\u0438\u043d \u041f\u041e\u041f\u041e\u0412<\/td>\n

\u0412\u0430\u043b\u0435\u0440\u0438\u0439 \u0421\u0430\u043d\u0430\u0440\u043e\u0432 \u2013 \u0436\u0438\u0437\u043d\u044c, \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u043e, \u043b\u0435\u0433\u0435\u043d\u0434\u044b<\/a><\/td>\n87<\/td>\n<\/tr>\n
Svetlana PROCOP<\/td>\nContribu\u021bia inestimabil\u0103 a lui Leonid Cerepovschi \u00een procesul de valorificare a patrimoniului etnocultural imaterial al romilor din Republica Moldova<\/a><\/td>\n\n

92<\/p>\n<\/td>\n<\/tr>\n

<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
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P<\/strong>A<\/strong>GINA T\u00c2N\u0102RULUI CERCET\u0102TOR JUNIOR RESEARCHER FILE<\/strong><\/p>\n

C\u0422\u0420\u0410\u041d\u0418\u0426\u0410<\/strong> \u041c\u041e\u041b\u041e\u0414\u041e\u0413\u041e \u0418\u0421\u0421\u041b\u0415\u0414\u041e\u0412\u0410\u0422\u0415\u041b\u042f<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Larisa ZAHAROVA<\/p>\n<\/td>\n

Cu privire la chestiunea conflictului artistic pe exemplul romanu- lui \u201e\u0417\u0430\u043c\u043e\u043a \u0431\u0440\u0430\u0442\u044c\u0435\u0432 \u0421\u0435\u043d\u0430\u0440\u0435\u0433\u0430\u201d de A. Kogan<\/a><\/td>\n100<\/td>\n<\/tr>\n
Irina DU\u015eACOVA<\/td>\nKeeping Russian identity: Discourse analysis of \u201eRusskoye Slovo\u201d<\/a><\/td>\n\n

103<\/p>\n<\/td>\n<\/tr>\n

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COMUNIC\u0102RI <\/strong>\/ PROCEEDINGS \/ \u0421\u041e\u041e\u0411\u0429\u0415\u041d\u0418\u042f<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

\u0410\u043b\u0435\u043a\u0441\u0430\u043d\u0434\u0440 \u041f\u0420\u0418\u0413\u0410\u0420\u0418\u041d<\/p>\n<\/td>\n

\u0410\u043a\u0442\u0443\u0430\u043b\u044c\u043d\u0430\u044f \u0438\u0441\u0442\u043e\u0440\u0438\u043e\u0433\u0440\u0430\u0444\u0438\u044f \u0441\u0442\u0430\u0440\u043e\u043e\u0431\u0440\u044f\u0434\u0447\u0435\u0441\u0442\u0432\u0430 \u0432 \u0420\u0435\u0441\u043f\u0443\u0431\u043b\u0438\u043a\u0435 \u041c\u043e\u043b\u0434\u043e\u0432\u0430<\/a><\/td>\n108<\/td>\n<\/tr>\n
\u041d\u0430\u0442\u0430\u043b\u0438\u044f \u041a\u0410\u041b\u0410\u0428\u041d\u0418\u041a\u041e\u0412\u0410<\/td>\n\u041e\u0431 \u0443\u043d\u0438\u043a\u0430\u043b\u044c\u043d\u043e\u0439 \u043a\u043e\u043b\u043b\u0435\u043a\u0446\u0438\u0438 \u0434\u0435\u043a\u043e\u0440\u0430\u0442\u0438\u0432\u043d\u044b\u0445 \u0442\u044b\u043a\u0432 \u041f\u0435\u0442\u0440\u0430 \u0412\u043b\u0430\u0445\u0430 (\u0420\u042d\u041c, \u0421\u0430\u043d\u043a\u0442-\u041f\u0435\u0442\u0435\u0440\u0431\u0443\u0440\u0433)<\/a><\/td>\n\n

114<\/p>\n<\/td>\n<\/tr>\n

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VIA\u0162A<\/strong> \u015eTIIN\u0162IFIC\u0102 \/ ACADEMIC LIFE \/ \u041d\u0410\u0423\u0427\u041d\u0410\u042f \u0416\u0418\u0417\u041d\u042c<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

Ivan DUMINICA,<\/p>\n

Angela OL\u0102RESCU<\/p>\n<\/td>\n

Manifest\u0103rile \u0219tiin\u021bifice dedicate scrisului \u0219i culturii slave, desf\u0103\u0219urate la \u0412iblioteca bulgar\u0103 din Chi\u0219in\u0103u \u201eHristo Botev\u201d<\/a><\/td>\n\n

118<\/p>\n<\/td>\n<\/tr>\n

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IN MEMORIAM<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

\u0414\u0438\u0430\u043d\u0430 \u041d\u0418\u041a\u041e\u0413\u041b\u041e, \u0415\u0432\u0434\u043e\u043a\u0438\u044f \u0421\u041e\u0420\u041e\u0427\u042f\u041d\u0423<\/p>\n<\/td>\n

\u041b\u044e\u0434\u043c\u0438\u043b\u0430 \u041f\u043e\u043a\u0440\u043e\u0432\u0441\u043a\u0430\u044f (1925\u20132009)<\/a><\/td>\n119<\/td>\n<\/tr>\n
\u041f\u0435\u0442\u0440 \u0427\u0415\u0411\u041e\u0422\u0410\u0420\u042c<\/td>\n\u0421\u043b\u0430\u0433\u0430\u0432\u0448\u0430\u044f \u0441\u043b\u043e\u0432\u0430\u0440\u0438. \u0415\u043b\u0435\u043d\u0430 \u041a\u043e\u043b\u0446\u0430 (1935\u20132001)<\/a><\/td>\n120<\/td>\n<\/tr>\n
Ivan DUMINICA<\/td>\nIstoricul Dumitru Taban \u2013 la 75 de ani de la na\u0219tere<\/a><\/td>\n\n

121<\/p>\n<\/td>\n<\/tr>\n

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JUBILEE \/ JUBILEES \/ \u042e\u0411\u0418\u041b\u0415\u0418<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

\u0413\u0435\u043e\u0440\u0433\u0438\u0439 \u0420\u0423\u0421\u041d\u0410\u041a<\/p>\n<\/td>\n

\u042e\u0431\u0438\u043b\u0435\u0439 \u0432\u0438\u0434\u043d\u043e\u0433\u043e \u0443\u0447\u0435\u043d\u043e\u0433\u043e-\u0433\u0430\u0433\u0430\u0443\u0437\u043e\u0432\u0435\u0434\u0430 \u2013 \u0415. \u041d. \u041a\u0432\u0438\u043b\u0438\u043d\u043a\u043e\u0432\u043e\u0439<\/a><\/td>\n\n

123<\/p>\n<\/td>\n<\/tr>\n

\u0410\u043b\u0435\u043a\u0441\u0430\u043d\u0434\u0440 \u041a\u041e\u0412\u0410\u041b\u041e\u0412<\/td>\n\u0415\u043c\u0438\u043b\u0438\u0438 \u0411\u0430\u043d\u043a\u043e\u0432\u043e\u0439 \u2013 60 \u043b\u0435\u0442<\/a><\/td>\n126<\/td>\n<\/tr>\n
\u0412\u044f\u0447\u0435\u0441\u043b\u0430\u0432 \u0421\u0422\u0415\u041f\u0410\u041d\u041e\u0412<\/td>\n\u041a\u043e\u043d\u0441\u0442\u0430\u043d\u0442\u0438\u043d\u0443 \u041a\u043e\u0436\u043e\u043b\u044f\u043d\u043a\u043e \u2013 70 \u043b\u0435\u0442<\/a><\/td>\n\n

127<\/p>\n<\/td>\n<\/tr>\n

\n

RECENZII \/ REVIEWS \/ \u0420\u0415\u0426\u0415\u041d\u0417\u0418\u0418<\/strong><\/p>\n<\/td>\n<\/tr>\n

\n

\u0412\u0438\u0442\u0430\u043b\u0438\u0439 \u041a\u0410\u0417\u0410\u041d\u0416\u0418<\/p>\n<\/td>\n

\u0418\u0432\u0430\u043d \u0414\u0443\u043c\u0438\u043d\u0438\u043a\u0430, \u201e\u0411\u044a\u043b\u0433\u0430\u0440\u0441\u043a\u0438\u0442\u0435 \u043f\u0440\u0435\u0441\u0435\u043b\u043d\u0438\u0446\u0438 \u0432 \u0411\u0435\u0441\u0430\u0440\u0430\u0431\u0438\u044f \u0432 \u043a\u0440\u0430\u044f \u043d\u0430 XVIII \u2013 \u043f\u044a\u0440\u0432\u0430\u0442\u0430 \u043f\u043e\u043b\u043e\u0432\u0438\u043d\u0430 \u043d\u0430 XIX \u0432\u0435\u043a \u0432 \u0438\u0441\u0442\u043e\u0440\u0438\u043e\u0433\u0440\u0430\u0444\u0438\u044f\u0442\u0430\u201d, \u041a\u0438\u0448\u0438\u043d\u0435\u0432: S.\u0218.B., 2015. 440 \u0441.<\/a><\/td>\n\n

129<\/p>\n<\/td>\n<\/tr>\n

Data on the editorial boards \/ \u0421\u0432\u0435\u0434\u0435\u043d\u0438\u044f \u043e \u0440\u0435\u0434\u043a\u043e\u043b\u043b\u0435\u0433\u0438\u0438<\/td>\n131<\/td>\n<\/tr>\n
Termene \u0219i condi\u021bii de publicare a materialelor \u00een Revista de Etnologie \u0219i Culturologie<\/p>\n

Terms and conditions of publication of materials in the Journal of Ethnology and Culturology \u0421\u0440\u043e\u043a\u0438 \u0438 \u0443\u0441\u043b\u043e\u0432\u0438\u044f \u043f\u0443\u0431\u043b\u0438\u043a\u0430\u0446\u0438\u0438 \u043c\u0430\u0442\u0435\u0440\u0438\u0430\u043b\u043e\u0432 \u0432 \u0416\u0443\u0440\u043d\u0430\u043b\u0435 \u044d\u0442\u043d\u043e\u043b\u043e\u0433\u0438\u0438 \u0438 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043e\u043b\u043e\u0433\u0438\u0438<\/td>\n

\n

132<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Volume XIX \/ Volumul XIX \/ \u0422\u043e\u043c XIX \/ 2016<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

CUPRINS \/ CONTENT \/ \u0421\u041e\u0414\u0415\u0420\u0416\u0410\u041d\u0418\u0415 \u0422\u0430\u0442\u044c\u044f\u043d\u0430 \u0417\u0410\u0419\u041a\u041e\u0412\u0421\u041a\u0410\u042f \u0421\u0435\u043a\u0442\u043e\u0440 \u00ab\u042d\u0442\u043d\u043e\u043b\u043e\u0433\u0438\u044f \u0440\u0443\u0441\u0441\u043a\u0438\u0445\u00bb: 25 \u043b\u0435\u0442 \u043d\u0430\u0443\u0447\u043d\u043e\u0433\u043e \u043f\u043e\u0438\u0441\u043a\u0430 5 ETNOLOGIE \/ ETHNOLOGY \/ \u042d\u0422\u041d\u041e\u041b\u041e\u0413\u0418\u042f Tatiana ZAICOVSCHI Reflectarea fitosimbolisticii \u00een con\u0219tiin\u021ba folcloric\u0103 a purt\u0103torilor de folclor rus din Republica Moldova 11 \u0414\u043c\u0438\u0442\u0440\u0438\u0439 \u041a\u041e\u0420\u0415\u041d\u0415\u0412 \u041b\u0435\u0442\u043d\u0438\u043a \u0432 \u0436\u0435\u043d\u0441\u043a\u043e\u043c \u043a\u043e\u0441\u0442\u044e\u043c\u0435 \u0440\u0443\u0441\u0441\u043a\u043e\u0433\u043e \u0441\u0440\u0435\u0434\u043d\u0435\u0432\u0435\u043a\u043e\u0432\u044c\u044f: \u043d\u043e\u0432\u044b\u0439 \u0432\u0437\u0433\u043b\u044f\u0434 \u043d\u0430 \u043f\u0440\u043e\u0431\u043b\u0435\u043c\u0443 (\u041e\u043f\u044b\u0442 \u0440\u0435\u043a\u043e\u043d\u0441\u0442\u0440\u0443\u043a\u0446\u0438\u0438 \u043a\u0430\u043a \u043e\u0431\u043e\u0441\u043d\u043e\u0432\u0430\u043d\u0438\u0435 \u0433\u0438\u043f\u043e\u0442\u0435\u0437\u044b) 17 \u0412\u044f\u0447\u0435\u0441\u043b\u0430\u0432 …<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/ethnology.ich.md\/ru\/wp-json\/wp\/v2\/posts\/395"}],"collection":[{"href":"https:\/\/ethnology.ich.md\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ethnology.ich.md\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ethnology.ich.md\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ethnology.ich.md\/ru\/wp-json\/wp\/v2\/comments?post=395"}],"version-history":[{"count":10,"href":"https:\/\/ethnology.ich.md\/ru\/wp-json\/wp\/v2\/posts\/395\/revisions"}],"predecessor-version":[{"id":547,"href":"https:\/\/ethnology.ich.md\/ru\/wp-json\/wp\/v2\/posts\/395\/revisions\/547"}],"wp:attachment":[{"href":"https:\/\/ethnology.ich.md\/ru\/wp-json\/wp\/v2\/media?parent=395"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ethnology.ich.md\/ru\/wp-json\/wp\/v2\/categories?post=395"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ethnology.ich.md\/ru\/wp-json\/wp\/v2\/tags?post=395"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}